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Showing posts with label writing craft. Show all posts
Showing posts with label writing craft. Show all posts

Wednesday, December 19, 2018

Do You Love Series?

Anthology or Series? This was one I participated in from 2015. Short run but very successful.
Sharon Hamilton here. I have a question for you. We'd love to hear from you, both as a reader and as a writer.

WHAT MAKES A GREAT SERIES?

Do you love to binge read? Are you a series lover? I know I am. So, in your opinion, what makes a great series? What is it that makes you pick up that Book 1 and go non-stop until you finish them all?

If I love the author's voice, I can binge read for two days straight. In the case of an anthology, again, I remember that this is a smorgasboard of tastes and styles, and I may not love every one of them, but I usually find several that are worth my time and money. As an author, it's a great way to get discovered, especially when your genre or your pen name is new. As a reader, it's an inexpensive way to find new authors you can then go on to follow, especially if the work is new.


Here are some elements I think a great series should contain. But we'd love to hear what you think.

1. Either the same character is the hero throughout the whole series, or is in every book in the series, sometimes the hero changing per book. And, you can bundle them for an additional way to release to the readers. The files are big, but we love our super readers, don't we? Audio bundles sell the best in my book.

2. There is a common theme, such as "Bad Boys" or "Bachelors", but the mini-series is part of an overall arc within the author's genre. Sometimes some characters appear more often. Many times, these are the ones readers like, and have told the author about why they wanted to see them again.

3. Without doing cliffhangers (some authors do this successfully), at the end of the first book, you are compelled to read the second one. Each book sells and draws traffic to the other books in the series. In the case of a multi-author series like the one below, the call to action is different for each book, but the setup is the same, so readers get to see how the new author in the series will handle the call.


New multi-author series starting 1/15/19


4.  Creates reader engagement. Don't you love seeing your favorite characters on TV? Aren't you sad when the series is over? Look at the success of the Outlander books - all over 1000 pages long! Something that was said couldn't be done! But we can't get enough of Jamie and Claire, can we?

So what about you? If you are a reader and have questions, either I or one of my RB4U sisters will be happy to chime in. This post is for everyone. What do you love about series? Why? What is it that you look for in a good series, say, with a new author?

And for authors, do you keep a series Bible like I do? How do you keep track of all the kids, eye colors, wedding dates and names of parents and exes? What do you love about doing a series, either multi-author or a set of your own?

Thank you again for showing up today. We'd really love to hear from all of you, authors and readers alike!

Saturday, July 7, 2018

Writing Gay Romances with Author Kelli A. Wilkins #HowTo #WritingCraft @KWilkinsauthor

Writing Gay Romances - 4 FAQ
By Romance Author Kelli A. Wilkins


Hi everyone,

My name is Kelli Wilkins and I write romances. My books cover nearly every genre and vary in heat level from mild to super-spicy. People have different reactions when they learn what I write. (Sometimes they gasp and pretend to be horrified, and then ask me if I “act out” my love scenes at home. Uh, no. I write fiction—that means I make stuff up!)

But when people find out that I write gay romances—that really gets them going! “Why would you write one of those? You’re not a man or gay.” (Here’s my turn to gasp and act surprised. Really? You’re kidding!) I generally respond with: “Why shouldn’t I write gay romances? I wrote a vampire romance, and I’ve never been a vampire.” (That usually quiets people down for a while.)

I get a lot of questions about “why” or “how” I write gay romances. Here are the top four, along with my answers.

You’ve written lots of straight romances. Why write gay romances?
Why not? I’m a writer. And as a writer, I write whatever romance book comes to me, whether it’s a contemporary, historical, paranormal, or gay romance. My stories are about people who meet, fall in love, and overcome obstacles to be with each other.

This basic philosophy applies whether the characters are same-sex, different sex, or space alien and earth girl. Love is love and romance is romance. I’m not married to one specific genre or heat level. I go where the story and the characters take me.

When I wrote Four Days with Jack, A Secret Match, and Killer in Wolf’s Clothing I trusted my instincts and wrote the story that was in my head. Although all three books are contemporary gay romances, they’re very different.

In A Secret Match, a big part of the storyline centers around Everett dealing (or rather, not dealing) with his sexuality, and his (un)willingness to be open about who he really is. Ev has been in a committed relationship for years and is afraid that if he doesn’t come out, he’ll lose the love of his life. He’s also worried about his career. How will the world view a gay wrestler? Will there be backlash if he comes out?

Conversely, David, from Four Days with Jack, has never come to terms with his sexuality. He’s been lying to himself for years about his orientation and hiding his true desires. David has always loved his gay best friend (Jack) and has fantasized about being his lover, but he lacked the courage to admit his feelings—until now.  

The main characters in Killer in Wolf's Clothing are comfortable with their sexuality, but have other issues to deal with (like shapeshifting and a serial killer). This super-hot paranormal is a fun look at the werewolf legend and blends romance, mystery, danger, humor, and sizzling love scenes.

How do you write the gay love scenes?
I approach a same-sex love scene the same way I would if I was writing about a hetero couple. When I write a straight romance, about half of the scenes are written from a male point of view. So I have experience thinking about scenes from a male perspective anyway.

There’s not much difference in writing a story from two male points of view. Writing a love scene isn’t only about the gender or the anatomy of the characters—it’s about creating a believable, intimate scene where two people express their love for each other.

Each character in each book is unique, so the love scenes are always approached from different directions. In Four Days with Jack, David is introduced to a world of new experiences. Everett and Josh’s first kiss in A Secret Match was a tender and sweet moment; while the first time readers meet Deke from Killer in Wolf’s Clothing they realize he’s anything but shy.

What’s the hardest part about writing a gay romance?
The answer to this is quite surprising, and no, it has nothing to do with bedroom activities. The hardest part about writing a same-sex romance or love scene is pronouns.

As I’m writing, I’ll dash off something like: “He ran his hand down his chest and…” Wait, what? He ran his own hand down his own chest? No… I have to pay extra close attention when revising or editing a same-sex scene. Too many “his” references and the reader doesn’t know who is doing what. Better to say: “He ran his hand down Kevin’s chest and...”

Are you concerned about what people will think about you writing gay romances?
Not in the least. People will think whatever they want. I realize that not everyone wants to read the same type of romance. Some readers love historicals, others only read contemporaries or paranormals, and that’s fine. But if readers are turned off to me as an author just because I write gay romances… well, that’s too bad, see ya.

When I wrote my first gay romance, I considered “what people would think” about the book and me writing it—for about three seconds. Then I reminded myself that I’m a writer, and I create the characters and scenes that make up the book.

I don’t worry about what people might think of me writing about two male characters kissing, going to bed, or making dinner. Basically, the story needs to be told, and I’m the one telling it. As a writer, I’ve made up all sorts of things: an erotic Bigfoot story, a historical Viking tale, detailed ménage scenes (in all combinations), and a first-person vampire love story.

Writers need to turn off their internal editors and forge ahead with the story as it should be (and needs to be) told. If we constantly worried about what grandma would think about our writing, or if we were afraid to open up and let the characters (and the story) take us into the bedroom, we’d never write anything except G-rated fables.

I once read a blog where a woman was “confessing” to writing an erotic romance, even though she couldn’t tell anyone about it and wouldn’t “dare” put her real name on the story. I got to wondering…why? Why hide your writing? And if you’re “ashamed” to be writing in a particular genre, why invest the time and energy into something you’re not going to stand behind?

Now more than ever, I’m just as proud of my gay romances as I am of my straight romances. Why? Because I’m a romance writer—and in my books, everyone deserves to be in love and live happily-ever-after with whatever partner they choose.

And that’s the way it should be… in fiction and in real life.

Happy Reading!
Kelli A. Wilkins


ABOUT THE AUTHOR

Kelli A. Wilkins is an award-winning author who has published more than 100 short stories, 19 romance novels, and 5 non-fiction books.
Her romances span many genres and heat levels, and she’s also been known to scare readers with her horror stories.
Kelli’s Gothic historical romance, Redemption from a Dark Past was released in June 2018.
Her writing book, You Can Write—Really! A Beginner’s Guide to Writing Fiction is a fun and informative guide filled with writing exercises and helpful tips all authors can use.
Look for more romances, horror stories, and an online writing class coming later in 2018!
Visit her website www.KelliWilkins.com and blog http://kelliwilkinsauthor.blogspot.com/ to learn more about all of her writings.


CATCH UP WITH KELLI…


Website: http://www.KelliWilkins.com
Newsletter sign-up: http://eepurl.com/HVQqb


Friday, April 15, 2016

Sex and the Supernatural by Suz deMello

For many of us who write erotica, paranormal is the most enticing of the sub-genres, offering many ways to increase sexual tension. World-building allows us to create our own erotic settings, invent sexier creatures than those who exist on our planet, traipse through time to find or lose lovers. We can bend reality any way we choose. We can invent supernatural beings both virtuous and villainous while investing the corners of our new world with quirks that facilitate the thrills and spills that make a great read.

The paranormal encompasses so many sub-sub-genres! A partial listing: futuristic, including science fiction; steampunk; time travel; fantasy, which encompasses "creature" stories with vampires, weres, the fae, dragons, zombies and the like. Magic and witchcraft is also a subgenre of fantasy. All of these can be mixed into any story brew you please.


World-building 101: Take the basic elements of any book and consider how they may be made paranormal, i.e., beyond the normal.

Characters and conflicts: There's a natural tension in a romance between a paranormal entity and a human, and you can exploit this to your advantage and to the betterment of your book. Vampires are a great example. How can there be a "happily ever after" ending to a romance between an immortal, virtually invulnerable being and someone who will, inevitably, die? Would any sensible vampire dare to open his or her heart to a fragile human?

And how can a human trust in the love of an immortal? We who age must fear the loss of an immortal's love.

Vampires, being denizens of the night, are intrinsically mysterious. Powerful predators, vamps step easily into villainous roles, but lately we've been reading about heroic vampires. With their extraordinary senses, vampires can make extraordinary heroes. The vampires in my Highland
http://tinyurl.com/NaughtyList2014           
Vampires series aretypical case in point, possessing super-strength and swiftness, as well as longevity.
            
There's also natural tension in a relationship between different supernatural beings. Werewolves and vampires are both dominating creatures. The males often figure as alphas in many an erotic romance. What happens when territories overlap? Clashes are inevitable, and the sex is awesome.
            
Many writers have created supernatural beings whose abilities amplify each others. For example, Jayne Castle (Jayne Ann Krentz) created different types of psychics in what I call her flower trilogy (Amaryllis, Orchid, and Zinnia); the differing talents need each other in order to effectively focus and use their powers. Often one of the dyad was female and the other male. Thus, they'd have to work together to solve the mystery and trap the villain. But the sexual tension and conflict were maintained using this device, for the female would wonder if the male truly loved her for her qualities other than her ability to focus his energies.

Others create creatures made for sex. Succubi and incubi, supernatural demons who use humans for sex and seed, have become popular. Some writers have invented aliens which can extrude body parts and insert them into their human subjects for pleasure and pain.

Setting: Setting is an often overlooked aspect of our novels. As an editor, I have read several stories that are completely non-specific as to setting. As a reader, I like to be grounded in a story. I like to know where and when the story's taking place. I don't believe that I suffer from terminal uniqueness, so as a writer, I let the reader know where and when the story's taking place, even if the both are completely imaginary, i.e., "a long time ago in a galaxy far, far away."

In a paranormal, it is fatal to overlook setting. More positively, some settings are so compelling that they will earn your book a spot on many a reader's keeper shelf. Fans return again and again to the Harry Potter books and to Tolkien not only because of the intriguing characters, compelling conflicts and universal themes, but because they want to spend more time studying at Hogwarts and exploring Middle Earth. Orson Scott Card calls fiction dependent upon a particular setting milieu fiction, and gives Tolkien's Ring Trilogy as an example. 

Of course you may create any setting that compels you, but when you do so, consider how your
http://tinyurl.com/AudrynsQuest
setting will facilitate or block mystery and romance.

When world-building for a paranormal erotic romance, I like to factor in elements that will facilitate sexy situations. In Queen’s Quest, a paranormal erotic thriller, I postulated a planet with an extremely low birthrate. Babies were rare and prized. Thus, sex was encouraged—including public sex—which enabled me to include numerous sex scenes, while the dearth of normal births encouraged the characters to find other reproductive methods. These added to the suspense subplot (I don't want to say more without providing a spoiler alert).

Settings need not be exotic and magic need not be arcane, invented from whole cloth. You can use what you already know. I drew upon my teenage interests in tarot reading and Wicca to write Gypsy Witch, an erotic short story set in my hometown of Sacramento, California during the dog days of late summer. A character used witchcraft to bring to life the stone statues of knights set at the doorway of the downtown Masonic Temple, bringing magic to an otherwise mundane setting. The romantic conflict ended in a ménage—a different kind of magic.

Another example is Ocean Dreams, a short story set in a fictional marine park, much like Sea World or similar places. Many people visit them, so readers are able to draw upon their experiences to create the setting in their minds. That story features a dolphin shifter, which a fun departure for me. Find that story in the Naughty Reunions box set, http://tinyurl.com/NReunions.
            
Theme: Also overlooked, but as intrinsically a part of our stories as words themselves. Many paranormals feature the clash of good against evil. Paranormals employing figures out of religious traditions, such as angels, devils, demons and the like, will inevitably dabble in moral questions whether or not the author is aware that s/he is doing so. Raising such questions is older than Faust, older even than the Bible.
            
with Moon Maiden's Matehttp://tinyurl.com/NaughtyChances
Coming of age stories are also common. In erotica, we often read the induction of a virgin into the pleasures of sex. One of my erotic short stories, The Moon Maiden's Mate, is about an arranged marriage on a lunar colony. Another popular theme is the BDSM newbie learning about the joy of kink.
            
The message? Erotica isn’t only about sex. Write a good story and weave in explicit sex and you’ll have a really good story. Put it on another planet and you’ll have a great story. Paranormal content is a great way to engage the reader.

Monday, January 11, 2016

Writing from the gut – the Pantser with @CiaraGold #RB4U #WritingTip


I’ve often been asked if I’m a pantser or a plotter. Those who write know exactly to what I refer. For those unfamiliar with the terms, a plotter drafts an outline first before penning their wonderful prose. The pantser, of course, writes from the seat of their pants.

I’m a pantser but this comes with its own set of difficulties. First, it’s very easy to get lost or sidetracked. Sometimes a small reference is made in one chapter that can have a great impact on another and I’m a forgetful sort. Needless to say, my rewrites are probably more intensive than those from someone who plots.

With pantsering, you don’t worry so much about the rhythm. There’s a certain ebb and flow to writing romance that some stress over. Instinctively, I seem to know when to rev up the suspense or tension or when to relax the moment. Writing from the seat of my britches allows me to write from my gut. Hmm, I almost want to change the term to gutser instead of pantser.

When I place my characters in a corner, I really stew over how to get them out of a bad situation. I’ll come up with an idea and automatically discount it because it’s my first solution and probably the expected solution.  I want a solution that’s not so normal. My best plot twists happen by not giving into the easiest answer.

Another thing that works for me with drafting as I go, is the absence of a sagging middle. A lot of authors worry over what to do with the middle of their stories. Not I. If I’m going to stress, it’s over the ending. My latest release, The Rose Hunter, was five years in the making mainly because I could not settle on an ending. Perhaps some of the difficulty rests with not wanting to bid characters I’ve fallen in love with adieu.

The Rose Hunter came out in November and I’m so happy to share it with readers. Here’s the blurb:
Lucian Willshire is plagued by thoughts of a fae world and the disappearance of his aunt some nineteen years past, but when his friend drags him back to Hamingjur Castle, he stumbles into Alfheim Haven once more where mystical beings become more than a distant memory.
Lyerra Ahdia is baffled by the sudden emotional changes she’s experiencing until she discovers she’s the only witch to suffer “the change” since her mother stole the Rose, a special talisman with the power to perpetuate life among those in her coven. Tasked with finding and bringing the Rose home, she begs Lucian’s help in navigating the human realm. Against his better judgement, he agrees.
Though neither set out to find anything except the Rose, fate has other plans. Will love be more elusive than hunting the Rose?
Ciara Gold wrote her first “under the bed” book at twenty. Another fifteen years passed before she bravely attempted another, but she’s been happily writing ever since. A true Renaissance woman, when she’s not penning lively stories, she’s reading, sewing, painting, camping, sailing or dancing. A recent empty nester, she and her soul mate currently live on a modest plot of land surrounded by trees, a pond, an array of wildlife and seven barn kitties.

Website  www.ciaragold.com
Goodreads  http://goo.gl/ebcxKR
Amazon Author Page http://goo.gl/oTWhDG

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