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Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Tuesday, July 26, 2016

Keeping Characters Straight #RB4U by Michele Zurlo



When there are a lot of characters, how do you keep them straight? A peek into Michele Zurlo's brain and writer's notebook.

Have you ever read a novel with a lot of characters and had a hard time keeping them straight? Writers have the same kind of problem, especially when writing a series. The first few books aren’t that hard. We’re focusing in on the main couple, and so is the reader. By the third book, readers want to see cameos from the couples they love. When we’ve spent 100K words with someone, we know them, so keeping them straight isn’t a problem.
It’s the new characters who throw us off. Not only do they have small roles, but they’re usually not integral to the plot. We’re all focused on the main couple. Will they outsmart the villain? Will they get together?

But then those minor characters show up in the next novel—as the main character.
Discerning readers look for inaccuracies, anything that doesn’t follow from previous books. Oblivious ones (like me) will not even remember them. In Re/Defined (DFBI 4), I introduced some minor characters in order to move the plot forward. When Brandy Lockmeyer suspected that the villain was someone in the FBI, she needed outside help, and they had to be people she trusted. Enter Jesse and Frankie—security specialists.

They were minor characters, but they gave me ideas. They forced me to fill in their backstory so that I could write Re/Leased (DFBI 5).

As a teacher, you’d think I would be good with names, but you’d be wrong. I keep calling my 7-year-old cat by the wrong name because he looks like a cat I had growing up. I once went an entire school year calling a girl by the wrong name, even though it was spelled correctly in my electronic attendance program. (In my defense, she never corrected me; I found out 5 years later when a friend of hers told me.)

In my writer’s notebook, I keep lists of names and attributes. The picture I took for this post shows the page I started when I thought up Frankie and Jesse, and you can see (black, and then purple, ink) where I added on when I came up with David and Dean. You can tell from the cross-outs that I change my mind a lot. You can also tell that David’s name was originally Wes. I used that name as a temporary placeholder because naming David and Autumn was a contest I ran when I was writing the story. I am using that page a lot now as I’m brainstorming the first book in the new series, which follows the adventures of the SAFE Security team.

And here I editorialize: Readers shouldn’t need a notebook to keep track of characters. Authors should develop the characters, even the minor ones, enough so that a reader can keep track of them. Using a system like mine (or even one that’s typed up or even written legibly) is a valuable tool that enables authors to plant those small clues that allows readers to identify and differentiate one minor character from another. You never know when someone with a small part is going to get a starring role.


Midwestern Book Lovers Unite: https://dominantpersuasions.com/
Blog: https://michelezurloauthor.wordpress.com/ 

Saturday, January 9, 2016

Gratitude Journals- A Look on the Silly Side #RB4U @melissa_keir

Gratitude Journals- A Look on the Silly Side


Hello everyone. It's Melissa popping in today for a little look at gratitude. I know we focus on that during November as a part of Thanksgiving and with our New Year, we set goals and resolutions. Many people want to be more positive this year. It seems like 2015 was a pretty yucky year for so many people...at least according to my Facebook feed.


According to Wikipedia.."A gratitude journal is a diary of things for which one is grateful. Gratitude journals are used by individuals who wish to focus their attention on the positive things in their lives...participants who kept weekly or daily gratitude journals had greater psychological and physical benefits when compared to participants who did not keep gratitude journals."Link to Wikipedia



I don't keep my own gratitude journal but I do text my best friend every day. We text what we are grateful for and it help support each other as well as keep in touch, since we live so far apart.  Sometimes our texts are profound and other times, simple. We each are facing so challenges that we love being able to keep in touch and help each other. So a journal doesn't have to be a book, but some way that you reflect and share what you are grateful for.


I thought it would be fun to see what some of my characters would write if they wrote in a gratitude journal. Mind you I took it on the silly side. 


Betsie Wolfe: I am grateful that I found my favorite lipstick when I dropped my purse. Too bad I had to witness that murder. 

Jonah Pigg: I'm grateful that Betsie didn't freak out about staying in my old bedroom. At least the sheets were clean... I think.






Michelle Alt: I am grateful for my mom helping out with my daughter and our home. I'd never have time to protest if she wasn't here.

Preston Hall: I'm grateful I didn't continue with the polo career. There's no way I'd be able to compete against the British Royals.




Keira Matthews: I'm grateful for my little furry baby. He's always there for me, even when Rob's too busy. At least, Gris kisses me.

Rob Matthews: I am grateful for a vacation, even if it's supposed to be a second honeymoon with my wife who doesn't trust me. Maybe there'll be some good fishing.




While these are silly gratitude journal entries, I could see the characters being honest in a journal they think no one else would read. Do you keep a gratitude journal? What would your characters say in a journal? I'd love to hear your thoughts on this topic.

Don't forget to drop by next month at this same day for more silly insights into my writing, books, characters and life. 

I am grateful for all of you who read the blog, visit my page and website, and buy my books. You are so important to me! I wish you a happy and prosperous 2016!


Thursday, November 19, 2015

THANK YOU FOR THE CHARACTERS! BOX OF YUMMY DELIGHTS AHEAD!

Release Party! December 10
Just finished my new novella, Nashville SEAL, for our December boxed set, Holding Out For A Hero. Just so happens I've been writing short pieces for anthologies, and then publishing the print and audio versions while the anthology is out. These novellas get pregnant and birth bigger books several months later. Well, I've got 3 very pregnant series going on right now. Somehow, it is a perfect fit for me. I never get bored, and I can bedroom hop.
My contribution to Anthology

I love the variety of my characters. With a shorter book, you date them, sleep with them, and then can leave them (I'm such a fickle lover) quicker. My younger years were never like that: lots of drama and BIG DEALS, so I find this type of writing refreshing, enlivens my spirit and is just plain fun. I get to do something I never did in real life. I think that's why I love to write so much!

Nashville SEAL (novella) begins in a bar, with my hero, Jameson Daniels, crooning on stage to a crowd of mostly women, and loving every part of his life. From the quickies in the dressing room to the steady flow of "10s" that come knocking on his hotel room door, Jameson gets to play all night, and then literally play all night. He might get up and write some tunes, but his life is pretty perfect and the envy of many.

I used real Nashville performers as my basis for this book, which is FICTION, by the way. But part of writing I love the best is hearing the stories. I've always been fascinated with the whole rock star phenomenon but didn't think I could write one. I met an author at a signing this summer who said she wrote rock stars, and that the rock band was coming to her signing! I was impressed! And then when they showed up, they looked about 16 and skinny, and didn't fit the mold I expected.

Available now
But it doesn't take much imagination to create a fantasy hero as a muscled, handsome man of about 25 in a cowboy hat and boots (which is the closest thing I'll have to cowboys), tall, jeans he fills out nicely in, has a raspy, sexy singing voice and bright blue eyes. You throw in about 1000 females removing all manner of intimate garb and throwing it at the young singer, a bar owner who is in lust with his biker gal bouncer, an old crooner at 45 still looking for his first record deal, and a bunch of Navy SEALs, and we have a party!

I've learned a lot about the way the music business works. If we think we have it tough as writers, getting a big producer to buy your music or sign you to a label isn't as easy as they make it seem on Nashville. You have to be seen, which means you have to play. But if you play too much in bars and clubs, you are playing for whisky and not fans. The rejection is horrible, and the temptations everywhere, so if a person wasn't the strongest of character, they could be brought down by the whole scene before they had the strength to leave it behind.

My Jameson is a very good man, one that nearly every woman could imagine spending a wonderful evening with. He's like the Love Doctor. He can't help it if those handsome blue eyes make women forget their names. I wanted to write him such that women could walk away from a brief, intimate encounter with him, feeling cherished, have a smile on their face and a memory to last a lifetime. He was such a fun character to spend time with. I can't wait until I tell his longer story next year.

Sharon Hamilton is a NYT and USA/Today bestselling author most known for her SEAL Brotherhood series. She also writes a Golden Vampire and Guardian Angel series.

A lifelong organic gardener, Sharon lives with her husband in the Wine Country of Northern California, where most of her stories take place. When she’s not writing, she’s getting verra verra dirty in the mud, or wandering Farmer’s Markets looking for new Heirloom varieties of vegetables and flowers.


Sharon Hamilton
Life is one fool thing after another.
Love is two fool things after each other.



Tuesday, April 29, 2014

About Love

 

I'm an author who writes about love.
Love is between two people, but they don't have to be a man and a woman.  It can be man/man, or woman/woman, but even those aren't the only kinds of love. 
 
There is the love of a father and mother for their daughters and sons, the love of children for their parents, love between siblings and other relatives.  There is love for a pet, or the pet's love for you?  All of these types of love can be used in our stories.

 

Origin of Love:  Middle English, from Old English lufu; akin to Old High German luba love, Old English leof  dear, Latin Lubere, libere to please:  First known use was before 12th century.

 

1: Love: noun: a feeling of strong or constant affection for a person: attraction that includes sexual desire: the strong affection felt by people who have a romantic relationship: a person you love in a romantic way.

Full definition of love:  1a (1): strong affection for another arising out of kinship or personal ties (2): attraction based on sexual desire: affection and tenderness felt by lovers (3): affection based on admiration, benevolence, or common interests b: an assurance of affection

2: warm attachment, enthusiasm, or devotion

3a:  the object of attachment, devotion, or admiration b(1): a beloved person: darling--often used as a term of endearment (2) British--used as an informal term of address

4a: unselfish loyal and benevolent concern for the good of another: as (1): the fatherly concern of God for humankind (2): brotherly concern for others b: a person's adoration of God

5: A God or personification of love

6:  an amorous episode:  love affair

7:  the sexual embrace: copulation

8:  a score of zero (as in tennis) 

I can go on and on with more definitions, but if you're interested you can go to my source and read it for yourself.  Source: http://www.merriam-webster.com/dictionary/love

Author's of nearly all genres show love in their stories.  Even in books about espionage there is sex and love affairs in them.  Love is needed in our stories to show the growth of the characters in their lives.  You write a story about a soldier home from war suffering with Post Traumatic Stress Syndrome, and he's going to have to grow past the trauma by someone, or something coming into their lives giving them love.

Love is something everyone needs, and if they don't get it they become stunted as people and maybe something much worse. 

My wish for all is to have someone or something to love and for you to receive the love back. 
 
See you again May 29th. 

Monday, July 29, 2013

Weather

Hi Everyone,

You're probably wondering why in the heck I'm writing about weather.  It is not because we have had lovely weather here this week, or that I'm starting to think about winter.  It is not because everyone talks about the weather either.

I'm writing about weather because it's a useful tool in a book as a setting.  Every novel I've written has a season.  I've used summer most of the time, but I've used fall and winter, too.  You can use weather as a setting or a character.  For instance, the movie, The Perfect Storm, the storm is a major character that is being battled.

There are many stories where the elements are used as a force or character to fight against.  In my novels, I tend to use them as settings.  I think it's very important to let your reader know the season.  If you the writer don't determine the season for your story you can't dress your characters in appropriate attire.

Would you want to dress your heroine in flipflops, capri's and a spaghetti strapped top in the winter?  Oh, I'm sure you can think of some scenario where this could happen, but you have to have an explanation for the character to be dressed like that.  Maybe, she left Florida driving across country and her car broke down.

For all of the aspiring writers out there I want you to know that weather can be used in your stories.  I bet most authors use description of the seasons in one or two of their books. 

Sandra K. Marshall
http://www.eirelander-publishing.com
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Sunday, January 27, 2013

Likeability by Janice Seagraves


Likeability 
by 
Janice Seagraves 


I watched the whole season of X-factor, and the judges kept mentioning likeability. "You're not only talented, but you have likeability," they would say. I think that's why Tate Stevens won, he was not only a great singer, but had the good old boy likeability.

 It made me think about writing and showing the likeability of my characters. One writer referred to it as the 'pet the dog moment'.

 In Windswept Shores, I showed my character Seth's likeability when he takes care of Megan when she's hurt. Seth makes light of her injuries to Megan, but when we're in Seth's POV he's worried.

 Excerpt: Megan's POV:

Megan struggled to get up, but found her thigh swollen and sore. Damn, it’s infected. 

Crawling out of the lean-to, she spotted a tea mug left out for her. Aw, that was thoughtful. She sat next to the camp fire, to stretch her hurt leg to one side. In the sunlight, she examined it again; veins crept-out from under the bandage. That can’t be good.

Picking up her cool tea, she took a sip. Ah, it’s sweet. God, it’s been a while since I tasted anything sugared. 

“Oy, Megz,” Seth called out. “Ya have a nice beauty sleep?”

“Yes, I did,” she yelled.

He jumped off the boat and strolled over to her. Looking at her swollen leg with concern in his eyes, he said, “Yer got an infection, Megz.”

“Yeah, and I don’t know what to do about it.”

“No worries, mate,” he cheerfully told her. “I’ll clean it out proper, by getting out that piece that’s causing the problem.”

Seth digging around in my thigh? Megan swallowed hard. Oh, dear, he’s got huge hands.

Excerpt: Seth's POV: 

Water drops hit Seth on the face. It’s raining again. He blinked up at the cliff above him, revealed in the fitful flicker of the dying fire. I’m out of the worst of it, but I’m still getting soaked. 

“Get-out, get-out now,” screamed Megan as she fought her nightmare. He crawled into the shelter next to her. “No! No! Get out of the plane. It’s going to sink. Please, Jonathan, you’ve got to get out.” She sobbed. “No, it’s going under.”

“It’s okay, love. It’s already happened.” Seth rubbed her back. Megan was shivering worse than before. When he touched her cheek, she was hot.

Oh, bloody hell, I forgot to re-dress her wound and now she’s got a fever. Gawd, Bill, why’d you have to die? I could have used your help. 

Pressure built in his chest. I don’t want to lose her, too.
-----------------------

I seem to use that kind of moments in my stories a great deal. One of the characters gets hurt or sick, and the other one will move heaven and earth to take care of them.

How do you show likeability in your characters? 

--------------------------------------

Trade paperback: https://www.createspace.com/4084680
Kindle: http://www.amazon.com/dp/B00AS9NDNO 
Janice Seagraves’s website: http://janiceseagraves.org/

Sunday, July 29, 2012

Compromise

Compromise is very important in life.  You might think I am talking politics, but I am not, even though it does apply to our Congress.  Smile.  For relationships to survive it is necessary to have some give and take.  No one person can have everything his/her way. 

In our stories, the heroes and heroines will think alike on some things, but will have major differences on others. They will need to discuss their disagreements, or they will not get together, and if they are already a couple they will not remain one.

Life is full of conflicts. To write a book that will hold your readers attention; use disputes you are familiar with because you will feel closer to the character.  I have always used others experiences instead of my own, but I think you can get deeper into your characters if you know how they feel.  I'm going to use this idea in my next new story.  I'll even see if I can implement some of this thought in the present romantic suspense I'm writing. 

People who can't compromise and aren't tolerant of others make great secondary characters, but they can't be the hero or the heroine.  Not unless you can show them changing in their actions and their thought process, so they can have a happy ending. 

Do you agree your characters and the people around you in real life need to find the middle ground in their lives?

Thank you for reading.

Sandra K. Marshall
http://www.eirelander-publishing.com
http://www.sandramarshallblog.blogspot.com

Sunday, December 26, 2010

Series Addiction

I have series addiction. I freely admit it. I have difficulty writing a single stand alone book. Other characters besides the hero and heroine begin clamoring for their stories as I write and plot bunnies multiply in my head until I find myself stopping in the middle of a book to jot down plots and characters for what will later become a sequel or part of a series.

Little did I know back in early December 2008 that my little Christmas freebie Christmas Hookup would be a popular download. And I certainly never realized that a year later I would feel the urge to return to the fictional town of Heil, California for a pair of sequels. Once I'd done the sequels though, I knew I'd do another and another. Somehow I'd expand the world of Riley and Elle and Forbes Ranch in order to create a Christmas love story every year. The key elements: a cowboy or cowgirl with some sort of tie to Riley, Elle, and Forbes Ranch and a Christmas Eve HEA. This year's book was released last week and a kernel of an idea came to me for next year's. I had to re-read Christmas Catch to get the kernel but it's there now and I'll nurture it to fruition come next December.

I suppose you could say that my problem lies in the fact that I vest myself in my characters, even the secondary ones. I know them. I know their motivations. Even the secondaries have depth. And that's why it's hard for me to let them go. I've already put time and thought into who they are and why they are. Why waste that? Besides, readers seem to like series an awful lot. I know I've received fan email regarding characters in books.

After Hot Water came out, I received fan mail about Corey Green who got his own story Sunstroked this year. When Sunstroked came out, I got email about Wilson North. (Yes, I'm working on Will's story now.) When Where There's Smoke came out, I had email asking about the world of the Vashon clans and the cobra shifters. And everyone wants more Holden Antaeus and Garret Renquist from Fire Season (which they'll get in Fire Storm.) Probably my biggest request is for Sean Antaeus though. The head of the black dragon Antaeus family is equal parts hero and asshole, but he intrigues a lot of readers of the Tales series. And my newest requests are for more stories from the fictional town of Forza, California, the setting of Afterburner, my DADT novella in the Honorable Silence anthology.

Something about Forza and it's history, even though it's bare bones, must have appealed to readers. And their suggestions that Afterburner's hero Sebastian Marchetti had plenty of quirky family members to fuel other stories struck home with me. Could it be that creating those memorable characters - whether secondary or not - and creating a memorable setting be the fuel, the catalyst, for not only my own imagination but that of the people who read these books? Are they just as addicted as I am?

Regardless of my addiction (and any reader addiction), at some point a series has to end. Take the Tales series for example. This is a ten book series that I've already stretched a little by adding a 6.5 book, a sequel to Sunstroked because of reader (and my editor's) comments about Wilson North. When the series does end upon the release of Sean Antaeus's book Force Majeure, what the heck do I do then? This publisher has an option for all things Darkworld and I'm not sure that with book ten I'll be ready to leave the dragons and other creatures behind. There are a lot of layers to this world. And so, when Tales ends, a new series will begin, but it won't be anything like Tales. In fact, the new series will take readers back into the Darkworld's dragon history and begin anew with a dragon warrior who discovers she's a princess.

Don't ask me for details. Don't ask me for names or titles. I've got a long way to go to finish Tales. When it's done, or close to done, I'll reveal this new Darkworld series. I'm nurturing this idea and bringing it along slowly, incorporating the ideas from the original Dark Realms stories I wrote more than twenty years ago. But if you like fantasy, well, the new series may well be your thing. It will still have romance and explicit sex, but it's more of a traditional fantasy world with swords and sorcery.

You see? My addiction knows no bounds. When it comes to ideas, I'm like a dog with a bone, gnawing at it, chewing on it, unable to leave it alone until I've found my way to the sweet marrow. For me, it means a lot more work. For the readers, it means more books and more books in worlds they already know from prior books. I have a couple of stand alone stories to bring you hopefully in the next year, but other than those, my work is all series related. From a trilogy to a series that stretches to ten books, you'll find that my addiction is a key ingredient to the drive that keeps me turning out books for you.

I don't know about you, but to me, this addiction doesn't seem to be such a bad thing.

Thursday, August 26, 2010

Characters Come to Life

My DH (Rott) and I watched Inkheart the other night. At first, it didn't capture my attention much. Of course, that could be cause I was drooling over Brendan Fraser. Then the premise of the story began to get to me. The hero of the story (Fraser) is a Silvertongue. When he reads aloud, the characters in the books are brought into the real world. That means the good ones and the bad ones too. And the bad ones that came alive when he read have now imprisoned his wife and kidnapped him and his daughter. Some of the characters just want to go home (back into their book) and others would rather stay in this world because it's more advantageous for them. And in the end, the author of Inkheart gets his wish to be transported into the world he created.

What struck home for me as I watched this movie was that I think the best romance authors DO want to be transported to the worlds they create. Maybe not forever, but for the time it takes to tell the story and put forth the happy ending. Also, some of us want to bring our characters to life. We want them to feel so real that the reader almost expects to run into them on the street one day.

Rott and I laughed a little at what it would be like if the characters in my books were brought into this world by a Silvertongue. I tried to imagine what it would be like to go to work and discover I was at Granville Cemetery with Colin, Marius, and Elysia. I wondered how I would feel staring up at the uber tall Declan Antaeus, gazing at the sinfully handsome Holden Antaeus, or trying to match stares with the forceful Sean Antaeus. I figured I'd laugh my ass off with Max the Pixie Prince and his snarkastic side kick Alexa Harte. I knew that Brenna Thorne's familiar Rambo would look just like my own Rambo. I could sit and eat lobster at Jason Rockham's Rockport restaurant. I'd visit the BDSM club Insolence and drool over Aric Calderwood or go for a motorcyle ride down the coast with Zander and Voth. I know that I'd certainly never feel another lonely or boring moment if my characters lived in my world.

In a very real sense, writers - good writers - deliver this to readers with every release. My Darkworld is meant to suck you in and give you the sense that it's real, that you're there with the characters. I want to rip you from the world that gives you stress and deliver you to a place where the heroes are men you would want to be with and where you can identify with the heroines. I want to make you believe in dragons and vampires as much as love and happy endings. I want the characters to be real. I want to be an Antaeus and know that Sean will do his best to see that I find my mate and spend the rest of my days blissfully happy and sexually replete. And I strive to give that sense to everyone who picks up one of my books.

To say that Inkheart struck a chord within me isn't exactly correct. It wasn't the movie or the hotties (Paul Bettany shirt off with flaming sticks rotating in the air oh baybee) in it. It is what the story itself represents to readers and writers. Finding that story that takes you away from the mundane and serves you up the thing you want most whether it's love, adventure, sex, or happiness.

Now, here's a taste of my latest release. You tell me if Marius and Sair don't invite you to leave this world for theirs...

Tales of the Darkworld Book 5, Common Ground
Pink Petal Books

BUY LINK

BLURB:
Werewolf Sair McCallan escapes the confines of her brother’s pack with the help of a mated werewolf couple who believe in open sexuality and relationships. With Weylyn and Keir Randall, Sair experiences freedom in all things for the first time in her life. When she meets her mate, she’s shocked to find he’s a boring, broody vampire. Uptight Marius Granville has his staid and orderly life completely shattered by the arrival of his bloodmate, a beautiful werewolf who steals his heart and expects him to join in her kinky play with the Randalls. Marius is forced out of his hum drum existence and opens himself to new sexual experiences to please Sair. As her new mate strives to give her everything she needs, Sair battles internal demons that threaten their fragile new relationship.

Warning: This book includes sex on a washing machine, a make out session ala From Here to Eternity, sex between best friends (F/F), double penetration of a female (oh, baby!), and the best blowjob in the world (M/M) all within the confines of the hottest ménage a quatre the Darkworld has ever seen.

EXCERPT:

Sair shoved at him and Marius stumbled back a step. She dropped to the floor and slipped around him, trotting out of the bathroom. He followed her down the stairs and onto the deck at the back of the house. With a graceful leap, she jumped from the deck into the thick grass.

Marius came to an abrupt halt. With the silvery moonlight gilding her skin, naked Sair was a sight to behold. He sucked in a breath, his cock becoming even harder at the erotic tableau of his bloodmate stroking her hands over her moon dappled flesh.

“By the gods, Sair! You’ve no clue what you’re doing to me,” he complained as he stepped down into the grass.

Grinning wickedly, she backed away from him. “Yes, I do.” She laughed softly and darted around a tree as Marius took the shortest path toward her.

“You’re going to make me fuck you out here, aren’t you?”

She laughed again and skipped easily away from him when he tried to catch her arm. “What’s wrong with that? Are you allergic to grass?”

“No.” He stopped in a beam of moonlight, his head turning to watch her cavort naked in the dark, flitting between the trees. “But won’t the moon turn you furry?” he joked. “I don’t think I’d like to find myself coming inside a wolf.”

Momentarily startled, she stopped weaving in and out of the trees and turned to look at him. “You’d best be joking, my biter,” she said sternly. “You don’t see me assumin’ you can turn into a bat or become a pile of ash in the sun. Or, the gods forbid, sparkle.”

Her face scrunched up in an exaggerated grimace and Marius laughed. “I’m teasing about the moon. But you still haven’t shown me your wolf. Does she not wish to meet me?”

The grimace turned to a frown on her beautiful moon gilded features. “Do you ever go to the pet store and play with the puppies?” she asked in a cautious tone.

Shit, Marius thought. I’m caught.

Sair’s brows rose and he knew she’d heard his thoughts. “Yeeeeesss,” he replied, drawing out the single syllable of the word.

“This isn’t the same.”

Her sharply humorous statement hadn’t even faded from his ears before the outlines of her body began to shimmer. Marius had seen dragons shift before, their bodies becoming golden confetti in the air before solidifying. Sair’s shift didn’t take that long. The shimmer of her form took a split second and in the next moment, her human form disappeared, replaced by a grey wolf.

The wolf’s tail wagged and Marius smiled. Sair trotted over and thrust her cold, wet nose into his palm. He stroked her soft head and sank his fingers into her thick coat. Just like her human form, her wolf wasn’t big. Larger than a German Shepherd, but not nearly as large as other wolves he’d seen. She bumped against his legs, pushing him as her tail brushed his ass.

“You are all stuck on my ass tonight, aren’t you?” he teased.

You don’t like me admirin’ that firm masculine flesh?

“I didn’t say that. It’s just that other firm masculine flesh is crying out for attention.” With his free hand he stroked his cock.

You better hope no one sees you like this. Standin’ naked in the moonlight, pettin’ a wolf and strokin’ your dick. You’d get arrested and maybe sent to the psych ward.

Marius laughed and let go of his cock. “You’re right.”

When his fingers loosened on her fur, she dropped down to the ground and rolled to her back, displaying her belly. The fur there was lighter and he knew it would be softer. Kneeling beside her, her rubbed her belly with both hands, knowing that she had put herself in that vulnerable position to show him that she trusted him.

She whined as he stroked her and then shimmered. Instantly, her human form returned and Marius found himself stroking her naked belly, just above her mons. He grinned.

“Now, isn’t this convenient?” he murmured and slipped a hand between her thighs. He found her wet, her delicate folds slippery with arousal. She whimpered as he stroked her lightly.

Fitting his body between her thighs, he rubbed the tip of his erection in her wetness. She moaned, her hips surging toward him. With a hand on her belly, he held her down as she squirmed, trying to take his cock inside her.

“No, I don’t think so, my beautiful wolf.”

She gazed at him wide-eyed and moved urgently beneath his hands. “Yes. I want you. Please, Marius.”

“Oh, you’ll have me, just not like this.”

Deftly, with a swiftness and strength that gave away his preternatural nature, Marius flipped her onto her belly, then pulled her up on her hands and knees. Briefly, his palms caressed her ass cheeks. He pushed them apart and rubbed the head of his cock against the pink pucker of her anus. Her moans grew louder and she thrust her hips backward, silently begging him to take her in the ass.

“Not tonight, little wolf. But soon,” he whispered.

Thanks for coming by!




Author Website: lexvalentine.com
Personal Blog: sunlightsucks.com
Series Website: talesofthedarkworld.com
Twitter: lexvalentine
Facebook: Lex Valentine Fan Page

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