All blogs are property of authors and copying is not permitted.

Click image to one-click your copy of Soldiers of Fortune

CLICK BELOW & SUBSCRIBE TO THE RB4U NEWSLETTER

Showing posts with label LOVING OR NOTHING. Show all posts
Showing posts with label LOVING OR NOTHING. Show all posts

Monday, July 24, 2017

History of Tequila



History of Tequila



Today, July 24, is National Tequila Day. Sounds fun, right? Back in the day, I drank my share of tequila, with salt and lemon.  As a nod to my younger days, I thought I’d research the history of tequila.

Tequila is the name for a distilled beverage made from the blue agave plant, primarily in the area surrounding the city of Tequila, 40 miles northwest of Guadalajara. The red volcanic soil in the surrounding region is particularly well-suited to the growing of the blue agave plant. (Wikipedia)

Mezcal wine, tequila’s grandparent, was first produced only a few decades after the Spaniards came to the New World in 1521. Agave played a much larger role than the source of an alcoholic drink. Its leaves were used for a hemp-like fiber to make mats, clothing, rope and paper. It was also the source of the nutrient and vitamin-rich brew, pulque. (Source: Los Cabos Magazine)

The distillation of pulque into something stronger may have originated by the Conquistadors as early as the 1520s. You’re all familiar with Cuervo Tequila. Jose Antonio Cuervo was the first licensed manufacturer of tequila. He received the rights to cultivate a parcel of land from the King of Spain in 1758. Today, Cuervo is the largest manufacturer of tequila in the world. (Source: Los Cabos Magazine)
Mexican laws state that tequila can only be produced in the state of Jalisco and limited municipalities in the states of Guanajuato, Michoacán, Nayarit, and Tamaulipas. Planting, tending, and harvesting the agave plant remains a manual effort, largely unchanged by modern farm machinery and relying on centuries-old know-how.
The men who harvest it, the jimadores [ximaˈðoɾes], have intimate knowledge of how the plants should be cultivated, passed down from generation to generation. (Wikipedia)

"Tequila worm" misconception


A young agave plant

THE WORM
Another interesting error is an urban legend related to a worm. The worm-in-the-bottle myth is old and tired. The truth has been broadcast and expounded for years by the cognoscenti of tequila, in newspapers, magazines and on the internet. Yes, it’s true, some American-bottled brands put one in their bottle to impress the gringos and boost sales, but it was a marketing ploy developed in the 1940s, not a Mexican tradition.

Sometimes however, there is a worm, properly a butterfly caterpillar, in some types of mezcal. You may also get a small bag of worm salt and chile powder tied to a mezcal bottle. There are two types of worms in mezcal: the red, gusano rojo—considered superior because it lives in the root and heart of the maguey—and the less-prized white or gold gusano de oro, which lives on the leaves. The red gusano turns pale in the mezcal, the gold turns ashen-gray. Both larvae are commonly eaten as food and are sold in Zapotec markets.

Yes, you’re supposed to eat the worm in mezcal. Don’t worry: it’s quite well pickled and free of pesticides (they’re often raised just for use in mezcal, cooked and pickled in alcohol for a year). But dispel any idea it has any magical or psychotropic properties, that it’s an aphrodisiac or the key to an "unseen world." It’s merely protein and alcohol—but it’s very rich in imagery. Note: Yuck.
In Mexico, the most traditional way to drink tequila is neat, without lime and salt. Outside Mexico, a single shot of tequila is often served with salt and a slice of lime. This is called tequila cruda and is sometimes referred to as "training wheels", "lick-sip-suck", or "lick-shoot-suck" (referring to the way in which the combination of ingredients is imbibed). The drinkers moisten the back of their hands below the index finger (usually by licking) and pour on the salt. Then the salt is licked off the hand, the tequila is drunk, and the fruit slice is quickly bitten. Groups of drinkers often do this simultaneously. (Wikipedia)
Note: I always thought you used lemon. That’s what we did. We used to drink it this way in groups in a bar, mostly the summer of 1971, at the Jersey Shore.

Now that you know all the important facts about tequila, go out and celebrate National Tequila Day.

Since this is summer and many of us go to the shore or the beach (We say Shore for New Jersey, Beach for the Delaware beaches), I have a sweet story set the Jersey Shore.

Loving Or Nothing 



2012 Gulf States Silken Sands Star Contest Third Place Winner
2012 Best Indie Book Award Semi-Finalist

When a ruthless developer and a sentimental bridal shop owner clash, sparks fly. 

No stranger to loss, Tami Morrelle is holding on with one satiny thread to the only thing she has left that ties her to her loved ones – the family bridal shop.

Local bad boy Daniel Ramsey is back in town and on a mission – to turn Tami’s world upside down – any way he can.

Daniel needs Tami’s beachfront home and business to complete his crowning achievement as a successful developer. His latest proposal hinges on buying former high school classmate Tami’s land to make it happen. More importantly, it will show those in Loving who were convinced he’d amount to less than nothing they were dead wrong about him.

For Daniel, it’s Loving or nothing. For Tami, selling out to Daniel will leave her with nothing. But when the ruthless developer and sentimental bridal shop owner clash, sparks fly. 

A secret crush. Two wounded hearts. Will Daniel and Tami be willing to give up what they think they need and open their hearts to what really matters in Loving?

(Includes bonus short story, "Accidental Love.")






Friday, August 24, 2012

CONTESTS--LOVE 'EM, HATE 'EM OR WHO CARES?






CONTESTS--LOVE ‘EM, HATE ‘EM, OR WHO CARES?

The other week I was clearing out old papers from my office and I came across scores from contests I’d entered when I first started writing. I decided to take a trip down my memory lane, strewn with the remnants of contest failures.

I started writing back in the Dark Ages when traditional publishers ruled and we submitted hard copies of our manuscripts by snail mail. Computers were around then; it wasn’t that dark. However, I had a word processor and not a computer. I think there were two epubs then--Hard Shell Word Factory and New Concepts Publishing. If you bought an ebook it came in snail mail as a floppy disk (remember them?).

Writing competitions were very important back in those olden days. Contest wins and finals could get an author a publisher and an agent. Two of my original critique partners, who wrote as a team, were self-proclaimed contest sluts. They entered every contest they could, and they won or finaled in most of them. They typed up a list of all the ones they’d won or finaled in, and when they pitched to editors and agents, they showed them the list. Contests worked for them. They got an agent and a multi-book contract with Kensington. I’m no longer in contact with those writers and they’ve quit writing, which is a pity, because they were good.

In those early days I was desperate to final in a contest. I would pray that I would final every time I entered one. I didn’t necessarily have to win; I just wanted to final. I didn’t even come close, not once. Every time I got my results, I was in the dumps for weeks. Sometimes I cried.

As I was going through my old papers, I decided to Google the authors who’d finaled in the contests I’d entered. Almost to a woman, those authors went onto big contracts with print publishers. Most are still writing.

Although I had no contest finals, I managed to sell the second book I wrote, “A Catered Affair,” to Avalon Books, a small print press. But I wouldn’t give up the dream of snagging a contract with one of the Big Six and hiring an agent. Chasing that elusive dream, I continued to enter unpublished manuscripts in any writing competitions I could. My first contest final (at long last!) was the now-defunct PASIC. I had two manuscripts final in that one contest. A twofer! Editors from the Big Six read both entries and passed.

One of the books that finaled in the PASIC, “Logan’s Redemption,” was eventually contracted by The Wild Rose Press. I don’t know if the contest final had anything to do with my getting a contract. Before submitting to Wild Rose, I submitted Logan to a small print publisher that usually took twelve weeks to respond. I assume it was my contest final that got me a rejection from them in two weeks and not their usual twelve. Same thing happened with my paranormal, “Cursed Mates,” now published by Noble Romance Publishing. Cursed finaled in two prestigious contests. Several top epubs and print publishers rejected it in two weeks rather than their usual twelve. So, the moral of this story: Contest finals got me rejections quicker than if I hadn’t finaled.

Are writing contests for unpublished works still relevant? Things have changed in ways we couldn’t have predicted. There are many very good epubs out there now and there’s indie publishing. Authors don’t have to scramble and beat themselves up trying to get a contract with one of the big print publishers or with an agent. I’ve seen calls go out from many RWA chapters begging for more entries for their contests. It seems not too many authors are entering their unpublished manuscripts nowadays.

I’ve been talking about competitions for unpublished manuscripts. Let’s discuss published books. I enter my published books in contests solely to increase my sales and get my name out there.

Lately I’ve had some luck. Two of my books finaled in two contests each. I use the results in my promotions. Has my contest success helped sales? Haven’t a clue. I’ve seen no bump in sales for one book, but the other has had a nice sales jump. Was it because of the contest rankings? Who knows?

How do you authors feel about contests? Love ‘em, hate ‘em, indifferent? Do you enter contests for published and/or unpublished works? I want to hear from the readers out there too. Do you buy books on the basis of contest results? Do you care if a book has won contests? Many romance authors dream of having one of their books final in the RITA, RWA’s premier competition for excellence in books. Do readers know what the RITA is, and does it make a difference to them if a book is a RITA finalist? This inquiring mind wants to know.    


Share buttons