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Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Tuesday, September 8, 2015

Interview of Indie Artist Press: Marjorie Jones Cooke #RB4U

This past month I had a chance to speak with Marjorie Jones Cooke from Indie Artist Press. I have to confess, before this chat I had never heard of Indie Artist Press  and had no idea what it could offer authors. After our conversation, not only did I come away with some new information (always a good thing), but I felt inspired by how much Marjorie and her team are invested in their authors. They're are up to some wonderful things. Check it out!

Q) Tell me about Indie Artist Press. What is it and what can it offer authors?

A) Thank you so much for having us in your blogosphere. Indie Artist Press is a real joy in my professional and personal life and I'm excited to share it with you and your audience.

First and foremost, Indie Artist Press is a publishing house. We're small, but we're growing. The kind of house we are is what sets us apart from other small presses. We are a hybrid publishing venture, bringing the very best of both self-publishing and traditional publishing together under one roof.

To the reader, we offer quality books that have been professionally edited, copy-edited, proofread and formatted to the highest industry standards they have come to expect from small and large presses.

To the author, we provide all the services of a traditional publishing house, such as editing, copy-editing, proofing, formatting, cover art, and marketing. The difference is this: a traditional publisher provides those aspects of the process for the lion's share of the book's proceeds indefinitely (usually for the life of the copyright.) Indie Artist Press only splits the proceeds with the author until the costs of those services have been recouped. After that, 100% of the continuing proceeds from the sale of the author's books go to the author.

As an added bonus, if the author prefers to invest in those services in advance, they have the opportunity to invest less capital and receive 100% royalties from the day the book is released.

Finally, and this is the most important aspect of what Indie Artist Press is all about, there is a vetting process for the books we'll add to our catalog.  We have an obligation to our readers and our authors to provide engaging, well-written and entertaining books. Our authors trust our brand to ally them with other self-published authors who put in the talent, time and investment to be successful.

Q) How did you come up with the idea for Indie Artist Press?

A) I've been traditionally published in the past and seen moderate critical success. After a hiatus during which time I reexamined by personal goals, I decided that self publishing was the right avenue for me.

I soon discovered that self-published authors really don't get the respect they deserve most of the time. After all, anyone with a computer, a modem and an Amazon account can publish a book, right? Some of these books are excellent! Some of them need a little work, and some of them give self-publishing a bad name.

My business partner and I created Indie Artist Press to establish a brand that says, "Yes, I have chosen to self-publish, but my work has gone through the same 'gauntlet' as any traditionally published book."

So, the idea came from wishing I had somewhere to go where I could maintain control of my literary destiny without being "shelved" with poorly formatted, unedited self-published books.

Q) Why get a barcode through Indie Artist Press and not Bowkers?

A) At IAP, we include the barcode with the overall investment plan. The author doesn't have to invest separately. When we create the barcode for the print edition of a book, we include the encoded price. If you look at the back of a book printed by Createspace, for example, you'll see that the last digits in the barcode read "90000." This is the generic code assigned to the basic barcode. It should have the price included so that bookstores can easily add the book to inventory stock and scan out for the sale.

At IAP, we'll take care of assigning an ISBN and barcode to your book, so you don't have to worry about it. IAP will be your publisher of record, rather than your name or the distribution venue. It is this professional and well-branded alliance to a publishing house that separates our "Indie Authors" from other self-published authors.

Q) Do you help with the promotion of a book as well?

A) We do! We have a vested interest in seeing an author's book do well. Our website is an affiliate store, so we earn a little bit on each sale. When it comes right down to it, IAP only profits on the sale of the books. The investment made by the self-publishing author goes to the artists, editors, formatters and others who work behind the scenes to make the product the very best it can be. The self-publishing author generally contracts for these services on their own, and they generally have to pony up the dough ahead of time. (Or, if they don't have the cash, they skip it altogether.)
Another reason promotion is so important to us is the fact that we offer the option of investing zero dollars until the book sells. There is no time limit on how long it takes to fulfill the investment. If we've done our job well, we believe we'll see the return on that investment relatively quickly. Here's the kicker: it doesn't matter how long it takes. There is no time limit on the traditional investment.

We'll keep splitting royalties, of course, but the author isn't "billed" for the difference at any time. Because we only take on books that meet our standards, we're willing to take that financial risk.

Q) How can an author tell if their book is right for Indie Artist Press?

A) We are incredibly diverse. We're looking for authors who want to self-publish not because they have to, but because they choose to. If an author has written a great book, we want to read it. That said, we're picky about content and an author can find our submission guidelines on our website.

We love everything from tasteful erotica to the most frightful horror and the most intriguing edge-of-your-seat thrillers. We also accept children's books, middle readers, and young adult fiction.

Currently, we have seven imprints.

Q) What’s new at Indie Artist Press? What are your goals for the upcoming year?

A) The biggest news right now concerns one of our titles, Witch, by Rebecca Little. It's a short book; in fact, it's so short we didn't originally put it into print. It was offered as an ebook only until an Indie production company, Oxford Comma Film Cooperative, optioned the movie rights. They have wrapped principle production and have moved into the home stretch. You can find out more about the movie version ofthis way-out-there story at the website.

Our goals for the coming year are simple: We want to establish IAP as a brand of quality with a great reputation in the publishing community. We will provide readers books worth reading and authors with a publishing experience that will be both traditionally professional and uniquely indie.

And for the immediate future, we have three or four titles coming out this fall. Two are brand new releases from author's Susan R. Hughes and Rose Anderson, and two others are First Time in Paperback re-launch titles from E. Ayers and P.T. Denys. We can't wait to reveal the fall line up!

Q) Is there anything else you’d like people to know about your company?

A) We are in it for the long haul. Self-publishing is taking the world by storm with more and more self-published authors hitting bestseller lists. With thousands of titles added to the market each week, we believe it is and always will be important to provide readers and booksellers with a means to separate the wheat from the chaff.

Hybrid publishing provides that means and allows for authors to maintain control of their bookish futures while taking advantage of the new global publishing community.

And now for some fun questions:

Q) What must you have by your side or next to your computer while you work?

A) Dr. Pepper. I know, it's terrible for me and it's full of sugar. I'm weak. At least I'm not drinking aspartame anymore. That stuff'll kill ya!

Q) When you aren’t working, what do you like to do?

A) I enjoy refinishing old furniture. Sometimes, I try to repurpose it, too. Most recently, I took a rather tacky side table with a faux mahogany finish (circa 1980) and turned it into a checker/chess table in turquoise and grey. It's gorgeous sitting on the front porch. The checkers are seashells and crystal pebbles. I may have to challenge someone to a game, now that I think of it.

Q) Quick, your house is on fire. What is the one thing that you grab and take with you out of the house?

A) It's funny you ask that. We have twins; Emily and Phillip whom I refer to as Thing 1 and Thing Squared, respectively. Phillip is a total geek in all the best ways, particularly in math and physics. That's where his moniker comes from. So, both Things, for sure. But when it comes to actual "things," I'd have to go with my suitcase of life. It's an antique suitcase from the 1920s filled with old family photos of great, great grandparents I've never met and every love letter my parents ever wrote to each other. My father was a Naval Aviator for many years and made more than ten deployments overseas while I was growing up. There are a lot of letters. I'm not allowed to read them until... well, you know. They just celebrated their 50th wedding anniversary, but those letters would definitely go with me. I'm just an old romantic when it comes right down to it, I suppose.

Q) What is your screensaver on your computer?

A) A slideshow of my grandchildren. They are getting so big!

Q) What is the one place you’d love to visit, but haven’t done so yet?

A) I'd like to visit Marble Bar, Australia. I used a little hotel there, the Ironclad Hotel, in one of my books, with their permission of course, and I'd like to meet the lovely gentleman who so kindly answered my questions about life in the Pilbara.

Q) You are also a published novelist. Could you tell us about your books?

A) Thanks for asking! My first book, The Jewel and the Sword, came out about 10 years ago, followed by a few more mass market and trade paperbacks. Most of them are out of print, but still floating around cyberspace as ebooks in various formats. The genres range from medieval historical, which was really big 10 years ago, to 20th Century historical set in the post WWI era in Australia.

I also write paranormal romance titles under the pen name Starla Childs. Most recently, since coming out of the proverbial closet about 5 years ago, I've been writing some lesbian romance, as well. I'm a firm believer that love is love and I plan to continue writing both lesbian novels and the good old-fashioned boy-meets-girl variety. My most recent release, and by far the best seller, is Loving the Heartland.

The greatest part of creating and operating Indie Artist Press has really been the ability to associate myself with so many other, amazingly talented authors. I am proud to list my titles right alongside theirs. 

Thanks so much for stopping by and spending time with us!

Folks, come on out and show some love to Marjorie. She'll be on hand all day to answer questions about herself and her company, Indie Artist Press!

Marjorie Cooke is a published novelist of romance fiction.  Twice nominated for the Romantic Times Reviewer's Choice Award, Ms. Jones has been published by several small press publishers.  In recent years, she has focused on professional non-fiction as a ghostwriter and content creator.  Writing as Tennille Webster, she was named a 2011 "Rising Star" by Yahoo! Voices for contributions to Yahoo! News, Yahoo! Shine, and Yahoo! Finance, and earned a "Top 1000" credential during the same year.  In 2005, she was awarded the Isolde Carlsen Award for Excellence in Writing and the Utah Chapter of the Romance Writers of America named her Utah Writer of the Year.  She was a founding partner and is a former owner of Mojocastle Press. In 2015, her IAP release, Loving the Heartland, earned the #1 spot on the Australian Amazon Lesbian Fiction best seller list, and reached a pinnacle of #3 on the same list in the US and UK markets. She writes fiction as Marjorie Jones, Starla Childs and Raleigh Kincaid.

* * *

Interview by Suzanne Rock:

A lifetime New Englander, Suzanne married her college sweetheart and has been with him for over twenty years. Every summer she drags her husband and two daughters to Maine on a quest for the perfect lobster dinner. Every fall she can be found down in Foxboro, Massachusetts cheering on her favorite football team. In between those trips, she’s a chauffeur, a maid, a chef, an event planner, a hairdresser, a wardrobe stylist, a tutor and a sometimes masseuse. To keep her sanity, she often drinks copious amounts of coffee and stares at the blank screen of her laptop, dreaming of great adventures. Sometimes she even writes them down for others to enjoy.
Suzanne is represented by Deidre Knight of The Knight Agency and writes mainstream romances under the pen name Ava Conway.
Connect with Suzanne online!

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Monday, October 31, 2011

Interview with Romance Cover Artist, Jon Paul Ferrara

It gives me great pleasure to introduce this man. He is by far the most talented artist known today and his paintings have graced many romance covers from countless best selling authors. His art is unmistakably recognizable, unique,and awe-inspiring. If you read or write romance, chances are you've seen his work at some point in time. Please give a warm welcome to Jon Paul Ferrara.

Q. Tell us a little about yourself.
Jon Paul:  I'm all Italian… American born. I have two brothers, one older and my other brother is my identical twin brother. We are all very close. I am basically a shy person, to a degree. Especially when I meet someone for the first time, whether it is business or social, though once you get to know me I love to talk. I love, of course, talking about art and history. I am very passionate about my art and I would have to say it is my true passion in life. I live and breath my art ... talk to me about Michelangelo, Rembrandt, etc.. you will be my friend for life (lol)

Q. How did you get your start in the world of art?
Jon Paul:  I had a small one man show at a local gallery. I was 22 years old at the time. At the show, the gallery owner said, there is this Italian man with a very strong accent that would like to meet with me, for he was an admirer of my work. When I met this gentleman, he asked me if I would like to do book covers of Romance Novels. At first, being young and naive, I said, no, ... for I thought of myself as this quote "Fine Artist." Well he said, " before you make a judgment, let me take you over my friend's house, for he was an illustrator". Of all people, he takes me over his friend's house who happens to be one of the greatest Romance Illustrators of all time, Pino Daeni.

I remember walking into the Pino's house and my breath was literally taken away looking at all these beautiful Romantic paintings that were covers of the most recent novels of the time. All I could say it was like falling in love for the first time... After that, I knew for sure this is what I wanted to do, be an Illustrator of Romance Novels. I felt after seeing Pino's work, that some of the best art in the country was not only in galleries, they were on book covers as well.

I was always a Romantic, whether in real life or through my work and after seeing Pino's work I was hooked and this was the avenue I wanted to pursue and I never looked back since. 1200 covers later, I still love what I do and every piece is just like my first piece.

Q.  Have you always wanted to be an artist?
Jon Paul:  Without question, I always wanted to be an artist. I am a very visual person and I like to express myself through pictures, whether it be drawing, painting, or photography. As long as I can remember, I was always involved in one of the three.

Q.  Is there anyone who has influenced your work?
Jon Paul:  It's hard to pick one person in particular that influence my work, for there are so many great artist out there from past to present that had some kind of influence on me. I have to say that I do love the Renaissance Masters and the later Flemish Masters, though I fell in love with the late 19th century painters like John Singer Sargent, Joaquin Sorolla. Anders Zorn etc. I love their brushwork.

Q.  When did your career first take flight?
Jon Paul:  My career took off at a pretty young age. It was after I met the admirer of my work at the gallery of the one man show I had. I was just turning 23 years old at the time and then he introduced me to the world of book covers. I wouldn't say it was a turning point, for I was still learning and I would sporadically get commissions here and there, it was not steady work in the beginning, even though I had work published. It was years later, after developing my own style and becoming more consistent that it became steady work.

Q. What publishers have you worked with?
Jon Paul:  I really have worked for every major publisher in this country and abroad. Just to name a few, Harlequin, Harper Collins, Warner, Berkley, Bantam, Dell, Kensington, Dorchester, etc... and the list goes on.

Q.  I see that you have studied at the National Academy of Design under Nelson Shank, the official portrait painter for the late, Princess Diana. What was it like to have that experience?
Jon Paul:  When I studied with Nelson Shanks at the National Academy of Design, I was still very young. I believe I just had turned 20 years old. He was great teacher and I loved that he was a realist, for back then realism was not in favor as it is today. Most art schools, especially colleges taught abstract expressionism or conceptual art.

Q.  You have painted so many different time periods and settings. Do you have a favorite, either as a personal interest or as a period you simply favor to paint?
Jon Paul:  I would have to say I love the Victorian Period. For some reason I am just drawn to that period. If I could time travel, I would want to go back to 1880's up until just before the first World War. They call this period "La Belle Epoque" French meaning for "The Beautiful Era." To me the period was so elegant, the dresses the women wore ... gentlemen were gentlemen and ladies were ladies... until they got behind close doors (lol)

Q.  What was the hardest project you have ever been commissioned to paint?
Jon Paul:  I can't really recall any job that I would considered the hardest one I ever did. For to me every job presents its own set of problems and it really becomes problem solving and I am an artist that always likes a challenge. I have to even admit, I like working under pressure, for I feel my best work comes out of me in situations where the deadline might be tighter than usual … reason being for I don't have time to fuss or over think things.

Q.  What was the oddest thing you have ever been asked to paint?
Jon Paul:  One time I had to do a novel that the publisher wanted a typical clinch scene of the hero and the heroine in a passionate embrace, though they wanted a huge knife in the hero's back. I thought that was kind of strange (lol) I guess it was a Halloween special (lol).Though that is a true story :)

Q.  Do you work out of your home?
Jon Paul:  Yes, I work out of my house. I had a professional studio built in my house that serves as a professional photo studio and a paint studio... I love working out of my home. Outside my studios window, I have over two acres of forest and it is absolutely gorgeous. When it snows, my backyard literally looks like a winter wonderland off of a movie set. Wouldn't give it up for the world :) And on top of that, all the beautiful wildlife I see at my windows is breathtaking in my artistic opinion. I post images every now and then on my Facebook page of images taken from my studio windows.

Q.  Is there anything you do to prepare for a project before making it come to life?
Jon Paul:  It all starts with an art director sending me a fact sheet of a general description of the characters of the story and the time period the story takes place in. Some art directors will send along a small sketch with notes on what they specifically are looking for. Once I've read through the material I start my research. I search everywhere to collect reference and information pertaining to the project at hand. These days a lot of my research comes from the Internet. Once all my references are in place for the cover, I begin my search for models I feel that will fit the characters in the story. Then it is on to a photo-session and from there I pick the photos I feel are the best. It is usually a combination of several photos I use, though you would never know it. I take body parts from one photo and use them in another so I get the perfect motion and feeling that I am looking for. My backgrounds are ninety percent of the time from my imagination.

Q.  About how long does it take you to paint a romance novel cover once you put brush to canvas?
Jon Paul:  Whether it is traditional or digital, the artwork takes less then a week, it's the setup, getting models, costumes, etc., that really takes up most of the time. Most publishers will give you a 4-6 week time period to do a cover ... it varies according to the deadline, sometimes it can be longer and at other times it can be a lot shorter.

Q.  When you paint a romance cover, do you work from memory, do you paint using actual models, or a combination of the two?
Jon Paul:  We always hire real models for the covers... I could only recall, maybe several times where I didn't use any models... where I had to create a city street scene of people … it was easier for the people weren't close up and I used an impressionistic style, other then that, to get the detail that I have in my work, it would be impossible without real models. My backgrounds though are always from my imagination like it that way for it adds to the fantasy or it would just look like another photograph.

Q.  What is the best thing about your job?
Jon Paul:  Best thing about my job is that it doesn't even seem like work for me, for I love what I do. I always loved doing the romance novels and that is why I am still doing them to this day—especially doing the historical novels. I love doing them, for I love history. I always say, it's like being a time traveler for I get to visit so many different periods... Who wouldn't love a job like that, where you get to daydream all day and travel through time, through your own work?

Q.  Now since this is a romance blog, I’d like to ask you some questions that romance readers would really love to know. Have you ever read any of the books that are adorned with your work?
Jon Paul:  No, never from one of my own illustrations to be honest. Though years ago, when I was first entering the industry, I read one of the books the artist Pino did the cover to... I was so moved by his painting, that I had to read the story that was behind the artwork. It was a Historical novel that took place during the Spanish Inquisition where this young Spanish girl falls in love with a nobleman in the court of King Ferdinand and Queen Isabella. To be honest, I really enjoyed the book. The author’s history was so on target and authentic to the period, she brought these historical figures in history to life... Ninety-nine percent of these authors are like historians and that keeps me on my toes ... for they know if something doesn't belong in the artwork for the period that the story is being told.

Q.  If you could narrow yourself down to one type of historic hero, which one would best represented the kind of man you are?
Jon Paul:  I would like to think I have some of the characteristics, though I don't think anyone can live up to the historical figures we read about in history books, for their standards of what we have read were so high. So all I can do is hope and live my life in a loving and respectable order that people remember me as a nice person that gave his all to his passion in his life which is his art.

Q.  Knowing that you are a romantic at heart, can you describe what you would consider the perfect romantic date?
Jon Paul:  A perfect date to me is just being with the one you love... It really doesn't matter where you are, when you are with that special someone.

Q.  And lastly, if you could paint the perfect heroine, what would she look like?
Jon Paul:  I have painted many beautiful women and to me they are all beautiful in there own way. I wouldn't say I have any particular type, for true beauty comes from with in and beauty of course is in the eye of the beholder.

*Places to find Jon Paul Ferrara:



Renee Vincent:  Jon Paul, you have no idea how honored I am to feature on Romance Books R Us blog and to have your work displayed in my home for all to see.


(FYI - Jon Paul had painted Gerard Butler in the Phantom of the Opera - a limited collector's edition - and I am lucky enough to have this one hanging in my very living room.) 

Your talent is beyond compare, Jon Paul! Thank you for being with us and please keep those breathtaking covers coming.

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