Exposition: Setting the scene. As in the world
of the story and its characters are established.
Inciting incident: Where something happens that spurs
your hero/heroine on to step out of their comfort zone (contemporary) or they’re
quite literally thrust out into a new world (think sci-fi or fantasy). When the
event sets the main character or characters on the journey which will occupy
them throughout the narrative. Typically, this incident will upset the
balance within the main character’s world.
Meet cute (If you’re writing romance. It can also be in
with the incident incident): When the two people who will form a future
romantic couple meet for the first time, typically under unusual,
humorous, or cute circumstances. This type of scene is a staple of
romantic stories.
Dilemma: The
struggle occurring within the mind of a character. Therefore, it gives readers
an insight into characters’ lives. There may be a single or multiple dilemmas
in a story. However, the purpose is to create a tension and complexity in a
narrative by adding confusing and conflicting ideas.
Rising action or Progressive Complications: Building
the tension. Will they, or won’t they? Why not? Where a series of relevant
incidents that create suspense, interest, and tension in a narrative. In
literary works, a rising action includes all decisions, characters'
flaws, and background circumstances that together create turns and twists
leading to a climax.
Climax: The exciting bit, were everything happens at
once. Highest point of tension. When the hero/heroine resolves the main
conflict of the story and is the moment the main character(s) reaches—or
fails to reach—their goal.
Falling action: Tidying up loose ends. The opposite
of rising action is falling action, the phase of a story following the climax
in which the main conflict is de-escalated, and tension is further dispelled.
Resolution: Ending the story. Also known as Denouement:
When the final part of the story ties up the loose ends of the plot, or at
least some of them.
Blurb:
Morgan isn’t expecting romance when she accompanies her friend for a week of skiing, but when she meets Jared all bets are off.
Haunted by the loss of his parents, werecat Jared Catterick earns his
keep working for the Catclaw Clan. Jared has secrets that he doesn’t
mind sharing with a special lady, and he hopes Morgan is that special
someone. When his past and present collide it’s worse than he imagined,
and he’s forced to fight for his life.
Excerpt:
Auntie walked into the middle of the hollow. “We the Catcall Clan are
gathered here together to witness a challenge. Called by Munch son of
Tiger, who challenges Jared Catterick son of nobody.”
“I am the son of somebody,” Jared yelled. The sudden flow of anger had his heart pounding hard against his ribs.
“Who? What are their names?” Auntie crossed her arm and leaned on one hip and tapped a toe.
“I donna remember. I was too young when they killed them and took me away,” Jared muttered. “And she knows that.”
“Is Catterick your real last name?” Killer asked him in the canine speech.
“Aye. I donna remember much about me old life, but I never forgot me name.”
“Just tell her Mr. and Mrs. Catterick,” Killer said.
“Me parents were Mr. and Mrs. Catterick,” Jared said in a loud clear voice.
A few people around the hollow snickered.
Auntie gave a quick nod. “Jared son of Mr. and Mrs. Catterick. Munch challenges you for the death of his da, Tiger.”
Munch marched to Auntie’s side. He was every bit as big as his
father. Well-muscled and not just tall but wide. Where Tiger’s hair was
gray and white, Munch was blond and black. Another man accompanied him,
his second, a tall, lanky male named Boyd. Jared knew him well, even
though he was younger.
“Och. Here we go,” Jared told Killer and walked out into the middle of the hollow.
“He’s big,” Killer said in the canine speech.
“And ugly. I wouldna want to ride him into battle.”
Killer stayed at his side. “Psst.”
“Eh?”
“You can fight, right?” Killer asked.
“Aye.”
“Good to know.”
Auntie looked at both males. “Jared, as the challenged, you may decide on weapons and forms.”
“Human and no weapons,” Jared said.
“Very well,” Auntie said. “You may use your feet, hands, elbows and knees. Even your head if you feel the need.”
“What aboot sticks and stones?” Munch asked, his voice youthful.
“Will break my bones,” Jared said under his breath.
Killer snickered.
“No weapons,” Auntie shook a finger at Munch. “That includes sticks and stones.”
“Well,” Munch crossed his arms, “since I canna change into cat form, I
think I should be able to use whatever I find in the hollow.”
“This isn’t a free-for-all, Munch. There is discipline to a
challenge. You must remain in your human form and fight like a human.
With this match, we’ll have a square go.”
“Not very cat-like.” Munch sniffed.
Auntie fisted her hands and leaned toward Munch. “You’re not a cat.
You are a shifter. You shift between three forms. Now stay with one for
the duration of the fight.”
“Doesn’t he understand?” Killer asked.
“A bit daft that one,” Jared muttered back. Munch doesn’t seem have a lot of self-control. Unlike Tiger who would have done exactly what Auntie said to the letter.
“Seconds, to the side.” Auntie pointed. “You may view the fight only.
Do not interfere unless your partner is hurt or someone breaks the
rules.”
Both Boyd and Killer trotted to edge of the clearing.
Jared stood facing Munch. Several feet separated them. Jared shook
out his arms, moved his head from side to side, and loosened his
muscles.
Auntie raised her hand and did a karate chop between them. “Now fight.”
“I swear on me da’s grave, I will end you!” Munch roared and the skin
on his face boiled. His hands burst out of his gloves and feet from his
boots. The shift made Munch bigger, tearing his clothes. He stopped in
the in-between state, like movie werewolves of old, but in this case
half-cat and half-human. The only thing that remained of his clothes was
his black overall snow pants and even that stretched taunt across him.
Extending his claws, he snarled and reached for Jared. “I want to see
you bleedin’.”
